As I walk and drive through life I am constantly thinking, constantly inspired by what I see around me and I try to jot down ideas as I go along. I'm lost without a pen and paper, a check list, a brief note. YazBerry Fashion is my outlet to bring that which inspires me to life, in a tangible, wearable, useful way. I create because whatever it is that keeps me up at night with ideas spinning through my head must be fed by putting my hands to work manifesting my visions.
I am obsessed with recycling; I think I was a first wave 'reduce, reuse, recycle' student and it stuck with me from an impressionable age. I strive to recycle as much as I possibly can; this comes through in my design work. I love working with recycled materials. I almost prefer them to new materials, though I do use a mix in my work. There is something about picking up a discarded material, taking in its limitations and characteristics and finding a way to breathe new life into it. I consider this sustainable fashion.
In the last fifteen years I have made my way around the world. I am inspired by the colors I see, vivid tropical hues, bold eastern pigments and delicious color combinations. I try to capture these colors, textures and sights in my work.
I enjoy examining everything I can with my fingers and my eyes, learning its texture, seeing its ornate details. I pay attention to these things and create with the details and hand in mind. I am inspired by vintage garments, architecture and the textiles themselves. Because I work with a lot of recycled materials, often the material tells me what it should become. I enjoy designing this way and find it more challenging to design from a drawing or a vision and find the materials that work to make this vision come to be.
My work is colorful. It has strong shapes, bold colors and patterns and subtle details reminiscent of vintage craftsmanship. I create with people that enjoy treasure hunting in mind. People that enjoy the art of dressing themselves in special items, pops of color, three or more colors at once like me. I design for people wanting something unique, one of a kind; something not available in malls or department stores. My work is wearable art.
- Virginia E. Berry
TO VIEW THE YAZBERRY PRESS KIT CLICK HERE.
Showing posts with label creative process. Show all posts
Showing posts with label creative process. Show all posts
Monday, March 14, 2016
Monday, October 12, 2015
I Orderded a Glowforge 3-D Laser Printer!
I am going to own a laser!
I have been stewing over this for a month. Should I buy one, can I justify the pricey purchase? Do I really need this? Making lists of pros and cons...the only thing ever on the con list is the price...so today I placed an order for a Glowforge 3-D Laser Printer
If you want one for 50% off the retail price you can pre-order for another 15 days or so (check the website to be certain) and you will get $100 off if you use my link and so will I! I just pre-ordered a Glowforge 3D laser printer. It was an earlybird unit, so it was half price. They still have half-price units available, and this link is an EXTRA $100 coupon. Please, help me pay for this thing so I can make you amazing creations.
There are sooooo many things I can make with this and want to make. This tool will replace many processes I currently do by hand. Cutting of leather lace, cutting of vinyl records, cutting of fabric pieces. It will also bring in the ability to etch and pierce so many things! My favorite feature is I can hand draw anything, and place it in the Glowforge 3-D Laser Printer and it will cut that design into anything! As many times as I want. No need to train myself on Computer Aided Drawing though I would like to learn someday.
Wow, ok, so I am considering a GoFundme/Kickstarter Project which will have amazing laser cut gifts at the different donation levels. Stay tuned.
Here are images of some of my work I hope to improve by using the Glowforge 3-D Laser Printer:
If you want one for 50% off the retail price you can pre-order for another 15 days or so (check the website to be certain) and you will get $100 off if you use my link and so will I! I just pre-ordered a Glowforge 3D laser printer. It was an earlybird unit, so it was half price. They still have half-price units available, and this link is an EXTRA $100 coupon. Please, help me pay for this thing so I can make you amazing creations.
There are sooooo many things I can make with this and want to make. This tool will replace many processes I currently do by hand. Cutting of leather lace, cutting of vinyl records, cutting of fabric pieces. It will also bring in the ability to etch and pierce so many things! My favorite feature is I can hand draw anything, and place it in the Glowforge 3-D Laser Printer and it will cut that design into anything! As many times as I want. No need to train myself on Computer Aided Drawing though I would like to learn someday.
Wow, ok, so I am considering a GoFundme/Kickstarter Project which will have amazing laser cut gifts at the different donation levels. Stay tuned.
Here are images of some of my work I hope to improve by using the Glowforge 3-D Laser Printer:
A photo posted by Virginia (@yazberryfashion) on
Saturday, September 28, 2013
Rescued materials, travel inspired design, functional fashion
I have a tough time answering the question, so what is your work like? How would you describe it? I can profess about it in writing much better, so here it is:
YazBerry will leave people asking you where you got it!
I was the kid growing up selling dried wild flower bouquets to the neighbors from my wagon. I've always been most content working on creative projects. Sewing, drawing, painting, coloring, building things...One of my favorite games was "business"; I had a wooden box filled with fax cover sheets and blank receipt books.
While in college I had my first run with clothing design. Working in the costume shop at the Skidmore Theatre, my creativity was put to the test creating costumes from thin air based on an idea from the director. I then produced two collections for student fashion shows.
BA in hand and a day job to boot Etsy crossed my path. *light bulb* the perfect outlet for the creative working person. Of course I dream of quitting my day job like most Etsians, but for now the bills must get paid and Etsy is the perfect forum to run my business while I sleep. I recently have started selling directly on Facebook and in some local stores.
I have been transient the last *ahem* nearly a decade; each space I have lived in I have always made room for a studio. My current studio is a tiny, closet-less bedroom in my rented house with borrowed furniture. My living and creative space are often woven into and on top of one another. I have a hard time keeping projects in the project room...they sneak into the kitchen, the living room...it works. I thrive in organized chaos.
My favorite materials are discarded clothing found in secondhand shops. Textiles inherited from retired friends and family. Found objects from flea markets and the beach. My absolute favorite thing is to determine the limitations of a discarded item, discover its potential and work it into a functional piece of wearable art.
YazBerry is in essence, a grand recycling experiment; manifested in the form of wearable art. I am a first generation "Reduce, Reuse, Recycle" student and have found it is one of my guiding mantras in all that I do in life. Always finding ways to reduce my impact on the ecosystem and preserve the beauty around us for those to come after.
At the moment I am mostly flying solo on the YazBerry frontier. At times my generous husband will help with projects; my number one fan and best sales person. My mom also helps at art fairs.
I always carry a small notepad and pen with me. I never know when something will catch my eye, inspire a design and need to be captured before my short term memory allows it to float on the wind. I am particularly inspired by architecture, eye catching color combinations in ethnic textiles and the artisan craft of peoples around the world.
I rarely make the same item twice. It feels like a chore and I want your YazBerry creation to be singular in this world. I stand by the promise that YazBerry will leave people asking you where you got it!
Enjoy!
Virginia E. Berry-Phillips
Designer * Creator * Picker * Maker
YazBerry will leave people asking you where you got it!
I was the kid growing up selling dried wild flower bouquets to the neighbors from my wagon. I've always been most content working on creative projects. Sewing, drawing, painting, coloring, building things...One of my favorite games was "business"; I had a wooden box filled with fax cover sheets and blank receipt books.
While in college I had my first run with clothing design. Working in the costume shop at the Skidmore Theatre, my creativity was put to the test creating costumes from thin air based on an idea from the director. I then produced two collections for student fashion shows.
BA in hand and a day job to boot Etsy crossed my path. *light bulb* the perfect outlet for the creative working person. Of course I dream of quitting my day job like most Etsians, but for now the bills must get paid and Etsy is the perfect forum to run my business while I sleep. I recently have started selling directly on Facebook and in some local stores.
I have been transient the last *ahem* nearly a decade; each space I have lived in I have always made room for a studio. My current studio is a tiny, closet-less bedroom in my rented house with borrowed furniture. My living and creative space are often woven into and on top of one another. I have a hard time keeping projects in the project room...they sneak into the kitchen, the living room...it works. I thrive in organized chaos.
My favorite materials are discarded clothing found in secondhand shops. Textiles inherited from retired friends and family. Found objects from flea markets and the beach. My absolute favorite thing is to determine the limitations of a discarded item, discover its potential and work it into a functional piece of wearable art.
YazBerry is in essence, a grand recycling experiment; manifested in the form of wearable art. I am a first generation "Reduce, Reuse, Recycle" student and have found it is one of my guiding mantras in all that I do in life. Always finding ways to reduce my impact on the ecosystem and preserve the beauty around us for those to come after.
At the moment I am mostly flying solo on the YazBerry frontier. At times my generous husband will help with projects; my number one fan and best sales person. My mom also helps at art fairs.
I always carry a small notepad and pen with me. I never know when something will catch my eye, inspire a design and need to be captured before my short term memory allows it to float on the wind. I am particularly inspired by architecture, eye catching color combinations in ethnic textiles and the artisan craft of peoples around the world.
I rarely make the same item twice. It feels like a chore and I want your YazBerry creation to be singular in this world. I stand by the promise that YazBerry will leave people asking you where you got it!
Enjoy!
Virginia E. Berry-Phillips
Designer * Creator * Picker * Maker
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Monday, July 04, 2011
Write-up on YazBerry on Riverwalk Market Fair Blog
Nice write-up by Amy Acheson on the Riverwalk Market Fair Blog. Here's a quick view, be sure to visit the blog to read about other artists and farmers showcasing their work and produce at the market.
Monday, November 08, 2010
The Hand Cut Leather Lace Process
LEATHER LACE
WHAT IS IT?
USA based Artist and Designer, Virginia E. Berry (Me) uses 100% Genuine Leather glove weight Lambskin in her precision, freehand cut and pierced leather jewelry and purses. This technique is referred to as leather lace. It is a play between positive and negative space; a 3-d rendering of a high contrast image.
THE
INSPIRATION:
Mesmerized by a book on Asian Cut Art, Chinese Chung-hua and Japanese Kiri-e at my Grandmother’s, I taught herself to create cut paper art at a young age. I also finds inspiration in Mexican PapĂ©l Picado and cut paper art found in other cultures. My designs draw from traditional Asian motifs, Art Nouveau and Art Deco design.
THE PROCESS:
Leather lace requires the steady hand of a surgeon, one slip and the entire piece can be ruined. I draw out my design ideas on paper and use these to develop my pieces. Then, using the drawing as a visual reference guide, I use delicate knives and piercing utensils to freehand cut the design into leather. This is a careful, highly detailed process. Once the basic design in in place, I go back through with a close eye and makes sure all of the cut lines are crisp and smooth.
LEATHER LACE & YAZBERRY:
I started developing my hand cut leather lace technique in 2007. I've explored many tools and have sharpened my methods, always based on freehand cutting and freehand drawing. Leather lace is extremely lightweight and soft to wear. It is very flexible and amazingly durable. I have done durability testing and make sure my cut lines are thick enough so that you cannot tear them with your hands. Trust me, we've tried. To view my full leather lace collection (more to come in the next few weeks), visit yazberryfashion.etsy.com and view the bracelets & necklaces.

WHAT IS IT?
USA based Artist and Designer, Virginia E. Berry (Me) uses 100% Genuine Leather glove weight Lambskin in her precision, freehand cut and pierced leather jewelry and purses. This technique is referred to as leather lace. It is a play between positive and negative space; a 3-d rendering of a high contrast image.
THE

Mesmerized by a book on Asian Cut Art, Chinese Chung-hua and Japanese Kiri-e at my Grandmother’s, I taught herself to create cut paper art at a young age. I also finds inspiration in Mexican PapĂ©l Picado and cut paper art found in other cultures. My designs draw from traditional Asian motifs, Art Nouveau and Art Deco design.

THE PROCESS:
Leather lace requires the steady hand of a surgeon, one slip and the entire piece can be ruined. I draw out my design ideas on paper and use these to develop my pieces. Then, using the drawing as a visual reference guide, I use delicate knives and piercing utensils to freehand cut the design into leather. This is a careful, highly detailed process. Once the basic design in in place, I go back through with a close eye and makes sure all of the cut lines are crisp and smooth.
LEATHER LACE & YAZBERRY:
I started developing my hand cut leather lace technique in 2007. I've explored many tools and have sharpened my methods, always based on freehand cutting and freehand drawing. Leather lace is extremely lightweight and soft to wear. It is very flexible and amazingly durable. I have done durability testing and make sure my cut lines are thick enough so that you cannot tear them with your hands. Trust me, we've tried. To view my full leather lace collection (more to come in the next few weeks), visit yazberryfashion.etsy.com and view the bracelets & necklaces.
Friday, September 04, 2009
Is it a Tunic or a Dress?
TBD. Sometimes a design requires the hunt for the perfect fabric, other times the fabric inspires the design. That is the case this time. I had a piece of leather I had cut one of my leather corset leaf bodices out of that wants to be turned into either a tunic or a dress. My initial thoughts were tunic...but upon playing with some fabric around the house last night and today I am wondering if it might be a dress.
Here are the first peeks of an idea:



The lovely mauve and off white fabric you see is an antique kimono obi. The delicious giant buttons are vintage! I love recycling and repurposing fabric and buttons. To use the kimono obi fabric, I need to take it apart.

When I exposed part of the liner I discovered the makers mark (no not the whiskey), does anyone read Japanese characters? I'd love to know who made this as all kimonos and obis are meticulously and precisely hand sewn and this is the first stamp or label I have come across! This one, like a couple others I've worked with, had a lovely hidden silk lined pocket as well. I love the discovering little treasures like these. As the silk is in pristine condition I think it will find it's home in a purse in the near future.

Here is what it looks like day two. Part of the process is taking apart the first draft, which is simply pinned fabric and actually starting to tailor and assemble the item. Right now I am working on some organic, raised darts along the front waist. The idea is to cinch in the waist a bit, so it looks less sack like when the obi belt is tied around it. More later as the design progresses.
Here are the first peeks of an idea:

The lovely mauve and off white fabric you see is an antique kimono obi. The delicious giant buttons are vintage! I love recycling and repurposing fabric and buttons. To use the kimono obi fabric, I need to take it apart.
When I exposed part of the liner I discovered the makers mark (no not the whiskey), does anyone read Japanese characters? I'd love to know who made this as all kimonos and obis are meticulously and precisely hand sewn and this is the first stamp or label I have come across! This one, like a couple others I've worked with, had a lovely hidden silk lined pocket as well. I love the discovering little treasures like these. As the silk is in pristine condition I think it will find it's home in a purse in the near future.
Here is what it looks like day two. Part of the process is taking apart the first draft, which is simply pinned fabric and actually starting to tailor and assemble the item. Right now I am working on some organic, raised darts along the front waist. The idea is to cinch in the waist a bit, so it looks less sack like when the obi belt is tied around it. More later as the design progresses.
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